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LITTLE by little they learned something of May Nell’s story. Her mother had intended to start for New York on the morning of the earthquake, having been called there by her own mother’s illness. Mrs. Smith, though held to the last by household business, had let her little daughter go to visit a widowed aunt and cousin, who lived in a down-town hotel, and who were to bring May Nell to meet her mother at the Ferry Building the next morning. But where at night had stood the hotel with its many human lives housed within, the next morning’s sunshine fell upon a heap of ruins burning fiercely. A stranger rescued May Nell, though her aunt and cousin had to be left behind, pinned to their fiery death. Edith worked very hard. She called her operetta “The Triumph of Flora.” The words were her own, written hurriedly and set to familiar though classic airs. Yet many of the daintiest, most tripping melodies she wrote herself. The sorrows of humanity had winged her brain and dipped her pen in harmonies, that she might assuage them. “Orl right Betty, I’ll do it, but ef it is a poor job don’t blame me,” returned Moses as he advanced with the scissors..
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St. Elmo cast about in his mind for some plausible explanation of his recent panic. It would never do to inform the world that he had been afraid of a mere turkey. “Oh, Betty, you got ole man Noer stuck in the shade. His ark never turned out sich a fine camel as yourn, I bet,” cried Moses gleefully as he proceeded to sell tickets and to admit an astonishingly large number of imaginary people into the circus grounds. “You’re a plucky kid, all right,” he replied, touched more than he would have admitted. “I won’t hurt the dog if you do as I tell you.” He looked for a cord or rope, but found none, and pulled from his pocket a red handkerchief. “Tie this around his neck; let one end hang down.” “Oh!” interposed Betty, “but they didn’t throw a sorft stone. I don’t b’lieve in sorft answers no more.”.
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